Painting the spaces between memory and landscape — Quiet statement
A practice rooted in place
Selected paintings, studio notes and new perspectives on familiar places.
Painting the spaces between memory and landscape — Image-led split
A practice rooted in place
Selected paintings, studio notes and new perspectives on familiar places.
Skew test 2
Artwork first
£250.00
The studio is a place for slow looking. Sketches, collected objects and unfinished paintings sit alongside one another as ideas develop.
Skew test 2
Details alongside
£250.00
The studio is a place for slow looking. Sketches, collected objects and unfinished paintings sit alongside one another as ideas develop.
Selected works — Aligned grid
The same selection, in the same order, across all four variations.
Selected works — Natural-height grid
The same selection, in the same order, across all four variations.
Selected works — Editorial sequence
The same selection, in the same order, across all four variations.
Selected works — Compact catalogue
The same selection, in the same order, across all four variations.
Bodies of work — Collection covers
Related works, grouped into collections.
Review: Coastal memory
A body of work exploring place, observation and the traces left by changing light.
Review: Studies in colour
A body of work exploring place, observation and the traces left by changing light.
Review: Field notes
A body of work exploring place, observation and the traces left by changing light.
Bodies of work — Featured collection + index
Related works, grouped into collections.
Review: Coastal memory
A body of work exploring place, observation and the traces left by changing light.
Review: Studies in colour
A body of work exploring place, observation and the traces left by changing light.
Review: Field notes
A body of work exploring place, observation and the traces left by changing light.
Working with the tide — Reading column
In the studio
The studio is a place for slow looking. Sketches, collected objects and unfinished paintings sit alongside one another as ideas develop.
Each piece begins with a small observation: a change in colour, a shape on the horizon, a moment that asks for attention.
Painting is a way of spending more time with a place.
Demonstration text
Working with the tide — Editorial composition
In the studio
The studio is a place for slow looking. Sketches, collected objects and unfinished paintings sit alongside one another as ideas develop.
Each piece begins with a small observation: a change in colour, a shape on the horizon, a moment that asks for attention.
Painting is a way of spending more time with a place.
Demonstration text
Portrait-led biography
About the artist
Claude Monet
Painter
I have always been drawn to the way light transforms the world around us. Much of my work begins with direct observation, returning to familiar landscapes at different times of day and in changing weather to explore shifts in colour, atmosphere and reflection.
My paintings are rooted in the landscapes that surround me, from the Seine and the Normandy coast to the gardens and water at Giverny. I often return to the same subjects again and again: trees, buildings, water, flowers and sky. What interests me is not simply the subject itself, but the fleeting moment in which it is seen.
Through painting, I try to capture something of that experience before the light changes and the moment disappears.
Statement-led profile
About the artist
I have always been drawn to the way light transforms the world around us. Much of my work begins with direct observation, returning to familiar landscapes at different times of day and in changing weather to explore shifts in colour, atmosphere and reflection.
Claude Monet
Painter
My paintings are rooted in the landscapes that surround me, from the Seine and the Normandy coast to the gardens and water at Giverny. I often return to the same subjects again and again: trees, buildings, water, flowers and sky. What interests me is not simply the subject itself, but the fleeting moment in which it is seen.
Through painting, I try to capture something of that experience before the light changes and the moment disappears.
Image left
About the artist
Claude Monet
Painter
I have always been drawn to the way light transforms the world around us. Much of my work begins with direct observation, returning to familiar landscapes at different times of day and in changing weather to explore shifts in colour, atmosphere and reflection.
My paintings are rooted in the landscapes that surround me, from the Seine and the Normandy coast to the gardens and water at Giverny. I often return to the same subjects again and again: trees, buildings, water, flowers and sky. What interests me is not simply the subject itself, but the fleeting moment in which it is seen.
Through painting, I try to capture something of that experience before the light changes and the moment disappears.
Image right
About the artist
Claude Monet
Painter
I have always been drawn to the way light transforms the world around us. Much of my work begins with direct observation, returning to familiar landscapes at different times of day and in changing weather to explore shifts in colour, atmosphere and reflection.
My paintings are rooted in the landscapes that surround me, from the Seine and the Normandy coast to the gardens and water at Giverny. I often return to the same subjects again and again: trees, buildings, water, flowers and sky. What interests me is not simply the subject itself, but the fleeting moment in which it is seen.
Through painting, I try to capture something of that experience before the light changes and the moment disappears.
Stacked
About the artist
Claude Monet
Painter
I have always been drawn to the way light transforms the world around us. Much of my work begins with direct observation, returning to familiar landscapes at different times of day and in changing weather to explore shifts in colour, atmosphere and reflection.
My paintings are rooted in the landscapes that surround me, from the Seine and the Normandy coast to the gardens and water at Giverny. I often return to the same subjects again and again: trees, buildings, water, flowers and sky. What interests me is not simply the subject itself, but the fleeting moment in which it is seen.
Through painting, I try to capture something of that experience before the light changes and the moment disappears.
Exhibitions — Chronological list
Current presentations and selected past exhibitions.
Exhibitions — Current show + archive
Current presentations and selected past exhibitions.
September 2, 2026 – October 2, 2026
Between shore and sky
The Studio Gallery, Dundee
A selection of recent paintings and works on paper.
Let’s talk about the work — Simple invitation
Stay in touch
For enquiries about paintings, exhibitions or commissions, please get in touch.
Inside the studio — Text and media split
Materials and process
The studio is a place for slow looking. Sketches, collected objects and unfinished paintings sit alongside one another as ideas develop.
Materials and process
Working with oil, paper and found surfaces, each piece begins with a small observation.
Inside the studio — Media above two text areas
Materials and process
The studio is a place for slow looking. Sketches, collected objects and unfinished paintings sit alongside one another as ideas develop.
Materials and process
Working with oil, paper and found surfaces, each piece begins with a small observation.
From the studio and beyond — Visual cards
Selected reading and related destinations.
Press
A conversation on place
Discover more about painting, observation and returning to familiar places.
Publication
Coastal memory: the book
Discover more about painting, observation and returning to familiar places.
Event
Open studio weekend
Discover more about painting, observation and returning to familiar places.
From the studio and beyond — Compact editorial list
Selected reading and related destinations.
Press
A conversation on place
Discover more about painting, observation and returning to familiar places.
Publication
Coastal memory: the book
Discover more about painting, observation and returning to familiar places.
Event
Open studio weekend
Discover more about painting, observation and returning to familiar places.